This opinion piece was co-authored by David Campbell (President) and Mozart Olbrycht-Palmer (Deputy Secretary).

Following the ABC’s announcement that they will be streaming timely content from the new series of Dr Who, I applaud the broadcaster for moving with public demand and technological advancements.

I am very pleased to see a publicly funded broadcaster moving with society rather than against it. The ABC has recognised the demand for global release dates to be brought closer together. If more broadcasters (and content rights holders) could recognise this demand and innovate within the marketplace, as the ABC has done, the issues of fans wanting content available in a timely fashion would no longer be a concern.

Instead of attacking fans with litigation, or lobbying governments to restrict our civil rights, we need to move with new technology and innovate within the global market. Old media broadcasters cannot afford to flounder or their place will be taken by new content suppliers who have adapted to the changing environment.

When fans of a television show can share high definition “pirate” recordings with the other side of the world within hours of the initial broadcast, Australian fans find it difficult to understand why it takes weeks, months or even years for a television show to reach our shores. In a globally connected society, where peer groups span the world, creating ubiquitous word-of-mouth demand and discussing popular content and culture, the lack of availability often results in infringement of the established copyright monopoly.

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This blog post was authored by Mozart Palmer, a spokesperson for Pirate Party Australia.

Copyright lobbyists love to use words like ‘stealing’ and ‘piracy’ to describe sharing copyrighted materials online. ‘Theft’ is another word commonly applied by these copyright protectionists to what is already a widespread practice. The expression ‘copyright theft’ is a paradox: it is impossible to take away a person’s right to copy information or ideas. ‘Theft’ is used to misinform the public, media and, most importantly, lawmakers, in order to outlaw what many see as perfectly normal behaviour.

We are taught from a very early age to share, and in the Information Age, where sharing information, ideas and culture is incredibly easy, it is only natural for people to continue to do so.

This ability is being hampered however, as groups such as the Australian Federation Against Copyright Theft (AFACT, whose name is ironically a paradox in itself) continue their efforts to protect the failing business models of an industry too complacent and comfortable to adapt. Whenever a new technology comes along that facilitates the dissemination of knowledge and culture on a much wider scale than before, the content industry – the copyright owners and their representatives – complain that it will destroy them.

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